In den letzten Jahren ist der Begriff der ›Person‹ zu einem Schlüsselbegriff des philosophischen wie des gesellschaftlichen Diskurses geworden. Eine systematisch interessante und bisher vernachlässigte historische Rückversicherung in der Personendebatte bieten die Überlegungen Friedrich Heinrich Jacobis (1743–1819) und Johannes Paul Richters (1763–1825), genannt Jean Paul. Jean Paul ist um 1800 nicht nur ein erfolgreicher Autor humoristischer Romane, sondern auch ein gut informierter Beobachter der zeitgenössischen Philosophie und philosophischer Vertrauter Friedrich Heinrich Jacobis. Wie Jacobi in einer konstitutiv doppelsinnigen Bewegung Spinozas (...) Ethik und Fichtes Wissenschaftslehre als unwiderlegbare Entwürfe einer streng rationalen Immanenzphilosophie dechiffriert, um sie im Namen der ›Vernunft‹ zu überwinden, so verbindet auch Jean Pauls philosophisches und poetisches Werk die Wertschätzung der Transzendentalphilosophie unmittelbar mit einem transrationalen Widersprechen gegen die Ansprüche der neuen Systemphilosophie. Um Individualität, Zeitlichkeit und Handlungsfreiheit als Grunderfahrungen menschlichen Daseins philosophisch zureichend zu würdigen, bedarf es für Jean Paul wie für Jacobi einer grundsätzlichen Umwertung des Verhältnisses von individuellem personalem Dasein und rationaler Welt- und Selbsterklärung. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Native advertising has recently become a prominent buzzword for advertisers and publishers alike. It describes advertising formats which closely adapt their form and style to the editorial environment they appear in, intending to hide the commercial character of these ads. In two experimental studies, we test how advertising disclosures in native ads on news websites affect recipients’ attitudes towards a promoted brand in a short and long-term perspective. In addition, we explore persuasion through certain content features (i. e., message sidedness (...) and use of exemplars) and how they affect disclosure effects. Results show that disclosures increase perceived persuasive intent but do not necessarily decrease brand attitudes. However, disclosure effects do not persist over time and remain unaffected by content features. (shrink)

During the Weimar Republic, Siegfried Kracauer established himself as a trenchant theorist of film, culture, and modernity, and he is now considered one of the key thinkers of the twentieth century. When he arrived in Manhattan aboard a crowded refugee ship in 1941, however, he was virtually unknown in the United States and had yet to write his best-known books, _From Caligari to Hitler_ and _Theory of Film_. Johannes von Moltke details the intricate ways in which the American intellectual (...) and political context shaped Kracauer’s seminal contributions to film studies and shows how, in turn, Kracauer’s American writings helped shape the emergent discipline. Using archival sources and detailed readings, von Moltke asks what it means to consider Kracauer as the New York Intellectual he became in the last quarter century of his life. Adopting a transatlantic perspective on Kracauer’s work, von Moltke demonstrates how he pursued questions in conversation with contemporary critics from Theodor Adorno to Hannah Arendt, from Clement Greenberg to Robert Warshow: questions about the origins of totalitarianism and the authoritarian personality; about high and low culture; about liberalism, democracy, and what it means to be human. From these wide-flung debates, Kracauer’s own voice emerges as that of an incisive cultural critic invested in a humanist understanding of the cinema. (shrink)

Johann Wolfgang von Goethe is most famous for his work on color theory, but he was also an accomplished all-round scientist, studying and writing on anatomy, geology, botany, zoology and meteorology. This book draws together, in Goethe's own words, his key ideas on nature, science and scientific method. Goethe believed that we should study our world and nature as people at home in it, rather than removedly, as if we were aliens from another planet. He adopted a qualitative approach to (...) science at odds with Newton's quantitative methods that were so popular in his day. His is a sensitive science which does not ignore our relationship to nature. The extracts in this book are fascinating and essential reading for anyone who feels that we've lost our spiritual connection to nature. (shrink)